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BENJMA Volume 1 2022

By Anonymous (not verified), 24 August, 2022
  • Functions of the Standard Pattern in Naija Hip-hop Musical Syncretism
  • Ìbejì (Twin) Festival Music as a Resource for Music Education in Southwestern Nigeria
  • Akokoland Yam Festival: A Resource for African Musical Arts Education
  • Rethinking the Administrative Legacies of the Nsukka Music School
  • Egwu-ede and its Socio-cultural Implications in Ovoko Community, Enugu State, Nigeria
  • A Review of the Growth of Yorùbá Church Music among the Baptist Convention Churches in South-Western Nigeria
  • Copyright of Recorded Musical Works in the 21st Century Nigeria
  • Explication and Implications of Approaches to Music Incorporation in Nigerian Plays
  • Significance of Songs in Chinua Achebe’s Girls at War
  • Musical Pragmatics and Rhetoric in Owóẹ́jẹ́ - a Yorùbá Traditional Movie
  • Promoting Sustainable Development through Social and Behaviour Change Communication (SBCC): The Idundu Community Theatre Experience
  • Harnessing the Potentials of African Aesthetics for National Development in the Era of Globalisation

Book traversal links for BENJMA Volume 1 2022

  • Functions of the Standard Pattern in Naija Hip-hop Musical Syncretism

Book navigation

  • Functions of the Standard Pattern in Naija Hip-hop Musical Syncretism
  • Ìbejì (Twin) Festival Music as a Resource for Music Education in Southwestern Nigeria
  • Akokoland Yam Festival: A Resource for African Musical Arts Education
  • Rethinking the Administrative Legacies of the Nsukka Music School
  • Egwu-ede and its Socio-cultural Implications in Ovoko Community, Enugu State, Nigeria
  • A Review of the Growth of Yorùbá Church Music among the Baptist Convention Churches in South-Western Nigeria
  • Copyright of Recorded Musical Works in the 21st Century Nigeria
  • Explication and Implications of Approaches to Music Incorporation in Nigerian Plays
  • Significance of Songs in Chinua Achebe’s Girls at War
  • Musical Pragmatics and Rhetoric in Owóẹ́jẹ́ - a Yorùbá Traditional Movie
  • Promoting Sustainable Development through Social and Behaviour Change Communication (SBCC): The Idundu Community Theatre Experience
  • Harnessing the Potentials of African Aesthetics for National Development in the Era of Globalisation
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